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9for reasons already stated. Now we move the sound source to the “left”. The signal fallsoff somewhat as heard by the M microphone, but picks up at
10produced by switches and adjustments. Its small size and matte black chrome finishcreate a minimum disturbance of the visual field, especially i
11This microphone does not suffer from overload becausethere are no integral electronics. Therefore, the availabledynamic range is determined solely
12CCCCAAAAUUUUTTTTIIIIOOOONNNN!!!!Keep recorded tapes springwound watches and personal credit cards usingmagnetic coding away from the microphone t
13FFFFeeeeaaaattttuuuurrrreeeessss• Wide, Smooth Frequency Range• Closely Matched Characteristics• Negligible Off-Axis Coloration• Excellent Separatio
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15WWWWaaaarrrrrrrraaaannnnttttyyyyRoyer Labs warrants its products to be free from defects in materials or imperfectworkmanship. This warranty is o
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2IIIInnnnttttrrrroooodddduuuuccccttttiiiioooonnnnCongratulations on your purchase of a Royer Labs model SF-12 ribbon microphone. TheSF-12 is a handcr
3intelligently.1. The SF-12 is a side-address, bi-directional microphone and the rejection in the “dead”areas is very strong. Due to this directiona
4“dynamic” microphones will relate to moving coil dynamics. All condenser microphones have a built in preamplifier called a head amp and thereforepu
5stereo or multi channeled microphones, such as the SF-12. Ground loops can develop inthe preamplifier with any stereo microphone, regardless of the
6Hum Noise and Mic OrientationAll dynamic microphones, including ribbons, utilize powerful magnets in their motorassemblies and matching transformer
7sound curtain with sources outside this included angle appearing to be outside ofloudspeaker placement. Figure 1 shows the alignment of polar patte
8front of it as before. Now the S microphone will respond to the source, but the Mmicrophone will not.If the sound source moves to the left of the mi
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