Royer LabsModel R-122Active Ribbon Velocity MicrophoneOperation Instructions Manual & User GuideMade in U.S.A.
angle of about 10-20 degrees (off axis), where phase loss and diffraction effect offset each other somewhat.Proximity Effect and Working DistanceThe S
but weakened, boosting them by several dB will sound “natural,” even though the sound has been “sweetened.”Radio and television announcers have long r
Choirs and Orchestras can be picked up well with two R-122s. Place the microphones at a height of ten feet or so and a few feet behind the conductor.
2 Example of Horizontal Positioning Technique Angling the microphone slightly will minimize stressing the ribbon. Due to the microphone’s pickup pa
Stereophonic Microphone TechniquesClassic Blumlein TechniqueFor many years, several “coincident” microphone setups have been widely used for picking u
If the outputs of the two microphones are equal (or made equal using gain controls), the stereo pickup will be similar to that of two microphones plac
Specialized Recording TechniquesRecording on the back side of the R-122The R-122 incorporates an “offset ribbon” design that enables it to handle high
Care & MaintenanceThe R-122 is a well-built precision instrument. All that is required to ensure proper operation of this microphone is to follow
Features• Very high overload characteristics – maximum SPL greater than 135dB• Active electronics offer greatly enhanced output and a constant, optimi
Mechanical SpecificationsHigh-grade Neodymium magnet assembly in Royer’s patented Flux-Frame1.5” x 3/16” x 2.5-micron ribbon assembly Stainless steel i
TABLE OF CONTENTSModel R-122 Active Ribbon MicrophoneRevised 2015Introduction 3
WarrantyPLEASE RETAIN YOUR ORIGINAL BILL OF SALE AS YOU WILL NEED TO PRESENT IT SHOULD YOU REQUIRE SERVICE UNDER THIS WARRANTY.TO
IntroductionCongratulations on your purchase of a Royer model R-122 Active Ribbon Microphone. The R-122 is a handcrafted precision instrument capable
focused. The transient response of the R-122 is faster so its high-end frequency response will seem to be slightly extended. Key points:•No longer
peaks are conspicuously absent. These features make the R-122 ribbon microphone an ideal choice for strings, woodwinds, percussion and amplified instru
4. When the microphone becomes operational, bring the channel fader to 0-dB (unity) and use the trim to set desired level. This technique maximizes th
without placing a mic sock over it. Failure to follow this commonsense practice may yield a stretched ribbon and compromised performance.6. Do not al
In conclusion, preamplifier coloration is optional and a matter of personal taste. Some people love the effect of coloration while others strive for ab
The Sweet SpotFinding and Working with the Sweet SpotGood engineers know the importance and benefits of finding and working with the “sweet spot” of a g
Commentaires sur ces manuels